#1. Grimes – Art Angels
Canadian Claire Boucher aka Grimes brings us her 4th album and there is no doubt that each record has seen a real improvement and maturation since her debut in 2010. Her first records were rather experimental, electronic records with some wacky vocals. Her last album, “Visions,” in 2012 found Boucher switching things up a bit and adopting a more 80’s synth-pop style which worked for her. Now, “Art Angels” this has proven to be her biggest success to date and although it contains more a lot more classic pop influences it’s by no means a sell-out album. This is a diverse collection of pumping, jacking pop tunes, with euro dance beats, catchy guitar chords layered under her characteristic high pitched vocals. Grimes admits this is her most political album to date, and you’ll hear her slating the media and women’s portrayals in the media etc. “Art Angels,” is the perfect pop album, inventive, imaginative, captivating and, best of all, super catchy. Best of 2015 for me!!!
#2. Kendrick Lamar – To Pimp a Butterfly
I was a little taken back when I first listened to Kendrick Lamar’s new album, “To Pimp a Butterfly”. His last record from 2012, “good kid, m.A.A.d city,” was a contemporary hip-hop album with addictive hooks and big beats which was quickly dubbed as a hip-hop classic on release. Now, three years later you’d might have expect Kendrick to stick to this winning formula, but no, that was chucked out of the window in favour of a proper old school vibe. Incorporating aspects of funk, jazz and soul, he’s completely re-invented himself. This record wasn’t intended to spawn massive global hits like his last, in fact, it’s like he’s made it for the true music fans out there. TPAB is so complex, with its multitude of layers, instruments and styles and it becomes better with each listen. It seems like the man has done it again, this is certainly another classic for the hip-hop archives.
#3. Deafheaven – New Bermuda
The critically acclaimed San Francisco metal band are back, bringing with them their mix of shoegaze tinged black metal. It’s without doubt the most compelling metal album of the year. Their highly successful 2013 album, “Sunbather,” was, as mentioned, lauded by many critics, however they also received a fair amount of stick from metal purists, labelling them as ‘hipsters’ and ruining the reputation of black metal. I didn’t buy into this nonsense. Yes, it’s not your typical black metal album, but things evolve and this is a great adaptation of the underground genre. It has brought black metal music to the attention of more people but it’s still true to its roots. “New Bermuda,” has outstanding melodic riffs, chugging guitars, huge blastbeats and its ability to switch between moods and atmosphere is mesmerizing. The five piece band have opted not to give us a sequel to the seminal, “Sunbather,” and they have refused to pander to the metal community but instead, stuck to what they believe in and delivered an album that is just as experimental and powerful.
#4. FKA Twigs – M3LL155X
Ok, so M3LL155X (pronounced Melissa) isn’t exactly an album but a five track EP running just short of 20 minutes. So why include it in you album of the year list you may ask? Well, if I answer with, “because I want to,” isn’t good enough reason, then I have no answer for you. If you’ve never heard of FKA Twigs I would suggest this would be a decent place to start. Think of her as a trippy, R & B version of Bjork or something. The whole EP is accompanied by a full length mini short film, which features some great dance moves, oddly dressed old ladies, sex dolls and a very unusual pregnancy. If this is good enough reason to check out one of the UK’s brightest stars then I’m not sure what is.
#5. Health – Death Magic
HEALTH are another band I have trouble describing. Lets go for Industrial noise pop. Hmm, that sounds kinda crappy but gonna just ride with that for now. I believe this is their third studio album, however, they have done a couple of remix albums and rather recently the very well received Max Payne 3 soundtrack. I would say their music sits somewhere in between Trent Reznor’s cold, industrial distorted guitars of Nine Inch Nails to early Depeche Mode but strangely this is paired with some very sweet delicate vocals a la Neil Tennent style (Pet Shop Boys). So yeah, that is why I find them hard to describe. Basically they sound like they are from the future! I would also say that Death Magic is possibly their easiest listen to date with some notably popier tracks present, take “Dark Enough” and “Life” as an example. Meanwhile the lead singles “Stonefist” and “New Coke” are both huge, stadium sounding electro rock beasts. The whole album is really slickly produced and it stands out as one of the most original records of the year.
#6. Ho99o9 – Dead Bodies In The Lake
If you’re confused by the spelling of Ho99o9 it’s pronounced, “Horror”. These guys are a New Jersey duo who make a mixture of hip-hop and hardcore punk. Yep, I know what you are thinking, it sounds odd, and it is odd, however, pushing boundaries is exciting and the reason why these guys are in at No.7. Ho99o9 only appeared on my radar a couple of months back when a friend of mine recommended I gave them a listen. Not having the faintest idea of who they were, I turned to YouTube and started off with their biggest *cough* hit, “Bone Collector”. Here I was met with some massive deep base lines, big beats, ruckus gig footage and dead bodies in sacks. Immediately I knew these guys were gonna be good. Next up on my playlist, the bizarrely named, “Da Blue Nigga From Hellboy”. It’s a real creepy and sinister sounding tune which is accompanied by a similarly disturbing video and from then I was sold. These tracks feature on previous EPs but the latest, “Dead Bodies In The Lake,” album is an electrifying mix of thrash guitars, punk, beats and hip-hop. Fans of Black Flag, Death Grips, Odd Future and even, “Fat of the Land,” era Prodigy will no doubt be into this one.
#7. Susanne Sundfør – Ten Love Songs
If I’ve said it once, I’ve said it a thousand times, the Scandinavians don’t just make good TV but make the BEST pop music. Susanne Sundfør only came to my attention when she featured on fellow Norwegian’s, Royksopp’s cracking album, “The Inevitable End,” last year. This is Sundfør’s third album to date and without doubt her best (in my humble opinion). Ten Love Songs covers all the pop basses, from the Euro-dance of, “Kamikaze,” the shimmering disco of, “Fade Away,” the electro pop genius of, “Deliverance,” and the epic, powerful ballad, “Memorial”. Yes, there are ten love songs, but they’re not the sloppy stuff you’d expect from a bog standard pop record. Sundfør’s work is far more left-field and the lyrics on the whole are pretty dark and obsessive.
#8. Bully – Feels Like
It’s fairly easy to see where Bully get their inspiration from. That garage rock sound was pretty familiar in the 90s with bands such as Weezer, Nirvana and Hole leading the way. The four piece band was formed in Nashville, Tennessee and is fronted by the striking blonde figure of Alicia Bognanno. With a degree in Audio Recording and as the bands singer, songwriter, guitarist, engineer and producer, its easy to see who wears the trousers in this group. “Feels Like,” is a collection of 11 quality grunge pop / rock fuelled tunes, with Bognanno incredibly powerful and uplifting vocals giving us pre-millennials a real nostalgic feel.
#9. Christine & The Queens – Christine & The Queens
Christine & The Queens is a one woman, synth-pop solo project by Héloïse Letissier, hailing from Nantes, France. After leaving theatre school in Paris and struggling with depression, she found herself befriending drag acts in London and was motivated by these people to begin writing music. They performed with her on stage initially and where known as her “Queens”, hence the alias. Although her debut album, “Chaleur Humaine,” was released in France in June of 2014, her follow up eponymous album was released this year. Its basically a re-issued with almost the same songs but with more English vocals and a couple of new tracks, one of which featuring my no.1 artist from last year, Perfume Genius, who she duets with on, “Jonathan”. This is a brilliant dark, brooding and graceful track. “Saint Claude,” her biggest hit to date is accompanied by a video of Héloïse in a sharp suit and shoes, which is characteristic of the shy woman who likes to come across very asexual. She certainly isn’t your everyday pop star, melancholic, very much a recluse, focused on the performance and music. But this really is a stunning and beautiful record worth checking out.
#10. Young Galaxy – False Work
Amazingly, this will be the Canadian’s fifth studio album. Having only released their first in 2005, that makes them pretty prolific in my book. Over the past three records they’ve really found their mojo and have been putting out their best work. Young Galaxy craft sublime dream pop, with melodic Balearic style sythns and finished with the delicate vocals of Catherine McCandless. The previous album, “Ultramarine,” was one of my favourite albums of 2013 and began with a cracker of a track, “Pretty Boy”. Although, “Falsework,” isn’t quite as good, it still opens with a really strong song, “Wear Out the Ground”. Another highlight for me is the summery and uplifting, “Ready to Shine,”. These guys are great songwriters and this could be a great little album to blow away your winter blues or to bring the summer in.